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The image is then flipped to give the illusion that he is driving in the direction Ellen and Peter went. DVDs can be longer or shorter under different countries' TV systems. Please try one of these times:. Trivia : This is the only Route 66 episode in the entire series in which the iconic Corvette does not appear at all. Separate from membership , this is to get updates about mistakes in recent releases.

Storyline Edit. Add content advisory. Did you know Edit. Goofs When Tod is talking on phone to Buz he implies that the echovirus makes him hear echoes.

User reviews 6 Review. Top review. Herbert Leonard and Stirling Silliphant were producing BOTH Route 66 and Naked City at this time, and they were clearly pushing both shows in the "cutting-edge, socio-psycho, avant-garde, contemporary relevance, message picture" direction which, despite the fact that I admire their adventurous-ness as "break-out" artistes of the youth-oriented early '60's, still feel that the results were often labored, contrived, and embarrassingly overwrought.

Such is the case here. Great location photography-- gas station, streets, diners, etc An engaging and all too rare performance by John Marriott, the black actor who play's Tod's fisherman pal near the beginning.

Robert Emhardt's broad performance, earning him two knock-out punches from the much younger and stronger Martin Milner the first of the blows was totally uncalled for. No law-suits for assault back then. What's with the crying woman in the office when Emhardt was on the phone with Tod?

The on-set makeup lady should have powdered down Vera Miles oily forehead sorry, but it bugged me. And he's only been without Buz for a couple of days. The "carved" headstone for Frank Overton and his wife in the graveyard. I HATE it when the set crew paints letters on a headstone that look like they were done an hour before the scene was shot.

Why not at least dust them down a bit? What in the world was that scene about in the darkened Riverboat theater WAY over my head, I'm afraid.

Man Out of Time. Tod and Buz, are working as taxi drivers in Chicago, Illinois. They become acquainted with a Prohibition Era beer baron just released from a 32 year prison term. Tod and Buz strongly differ in their regard for this man, who finds time has changed the people and places of his youth.

However, one thing may not have changed - an old enemy. Ever Ride the Waves in Oklahoma? Tod and Buz, driving up the California coast, give a ride to a surfer heading to Huntington Beach to challenge the local "king". When the surfer is killed in his attempt, Buz vows to bring the king down. It becomes a battle between Buz who is "locked into the world" and the king who has "walked away from the whole gritty world". Voice at the End of the Line. Tod, as a motel lifeguard, and Buz, as a warehouseman, are working in Chicago.

Buz inadvertently aids a nasty practical joke played against his supervisor. When the man is embarrassed and quits, Buz tries to help the "ugly duckling" regain his confidence and meet the telephone answering service woman that the "joke" centered around.

Lizard's Leg and Owlet's Wing. Tod and Buz are working as Guest Liason's at a motel just outside of Chicago.

Boris Karloff, Lon Chaney Jr. A group of Executive Secretaries meeting at the motel provide a handy "test group".

Across Walnuts and Wine. Tod and Buz come to Oregon City, Oregon to work in a paper mill. They rent a room in a house with a family that has "more tears than laughs". The family includes a ne'er-do-well,an occultist, an old maid teacher ,a threatening teen and a young girl.

They are all pulling in different directions and accomplishing nothing. Welcome to the Wedding. The convict is back here in his hometown, being transferred to a distant prison, and pleads with Tod to bring his brother to the terminal, because no one in his family will visit him. Tod is touched by the bereft man, so he cabs to the brother's home, while Buz heads to the wedding.

Tod and Buz are in Cleveland, Ohio working for a road construction company as laborers. Their boss encourages them to meet his attractive, yet erratic, daughter. The father has hidden from her the fact that she suffers from the same medical problem that killed her mother. An operation may or may not save her. Poor Little Kangaroo Rat. Tod and Buz, traveling along the California coast, go to work as "shark hunters" for a doctor using sharks as lab specimens to study the effects of cholesterol.

The doctor, working under a research grant, has an unhappy jealous wife who wants him to return to private practice. Their son is caught in the middle of the turmoil. Hey Moth, Come Eat the Flame. Tod and Buz are in St. Louis, Missouri working as laborers at a gravel quarry. They attempt to help a 13 year old boy who is a neighbor in their apartment building. The boy is living there with his widowed father, a habitual alcoholic.

The man cannot seem to relate to his son and make any sense out of his life. Only by Cunning Glimpses. Tod and Buz,drive out of Cleveland, Ohio and a washed out bridge makes them stop and review the recent past.

Why they left is explained in flashback. The predictions of a nightclub mentalist have been all too real for Tod, he has seen one after another come true.



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